fell asleep in public twice today. first in a yoga class- understandable. later in a darkened loft outfitted for showing films, on the very last film in the program, the one i had gone there for, though the rest of the program was thoughtfully curated and a tour de force in strategies for inducing hyponotic states.. so perhaps, with dorsky, it was the appropriate response that between nods i saw wide shots of lean, glittering waves and "the most beautiful lawn sprinkler in the world." looking forward to more of this series, which i understand is spreading from prov and taking up chi residence. i was totally unprepared- and had no trouble staying awake- for jean rouch's les maitres fous which leaves me with several still resonant questions of how transferable are the psychic states of power that can effect a group of individuals to organize themselves into a collective possession.. acting out affairs of the state while frothing at the mouth, and what sociological function this serves (catharsis?).
Sunday, October 01, 2006
Lists
Doin's
- Nov 18 7 p.m.Clean Part Series, Lincoln, NE
- Nov 28 8 p.m. Too Close for Comfort Reading Series, Milwaukee, WI
- Jan 28 7 p.m. Zinc Bar, NY
Discrete@Elastic
- Nov 03 Joe Amato & Kass Fleisher
- Dec 22 James Wagner & Brian Whitener
- Feb 09 Monica de la Torre & TBA
- Feb 23 Stephen Rodefer & Daniel Borzutzky
- May 11 Lisa Fishman & Kate Colby
- Jun 08 The City Visible anthology release reading
- though my running mate is out of town and my knees...
- Last night’s poems: These poems are being made to ...
- Got passport picture taken today. I am shifty-eyed...
- Liberal Media?
- Practicing our uuuuhhhhrrr, J getting sicker as th...
- Just remove this city from my mind, tending Hirosh...
- Reminded of this bit of Warhola by chance by looki...
- Oh Design (swoon).
- Thanks, Andy, for nudging my attention toward Rhin...
- Toward the end of The Immoralist the protagonist p...
1 Comments:
While practising what Pauline Oliveros calls "Deep Listening," I sometimes doze off during new music performances. I think it's fine and usually consider it just one part of my overall (subjective) experience of the piece.
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